Original Poem:
I can feel she has got out of bed.
That means it is seven
a.m.
I have been lying with eyes shut,
thinking, or possibly dreaming,
of how she might look if, at breakfast,
I spoke about the hidden place in her
which, to me, is like a soprano’s tremolo,
and right then, over toast and bramble jelly,
if such things are possible, she came.
I imagine she would show it while trying to conceal it.
I imagine her hair would fall about her face
and she would become apparently downcast,
as she does at a concert when she is moved.
The hypnopompic play passes, and I open my eyes
and there she is, next to the bed,
bending to a low drawer, picking over
various small smooth black, white,
and pink items of underwear. She bends
so low her back runs parallel to the earth,
but there is no sway in it, there is little burden, the day has hardly begun.
The two mounds of muscles for walking, leaping, lovemaking,
lift toward the east—what can I say?
Simile is useless; there is nothing like them on earth.
Her breasts fall full; the nipples
are deep pink in the glare shining up through the iron bars
of the gate under the earth where those who could not love
press, wanting to be born again.
I reach out and take her wrist
and she falls back into bed and at once starts unbuttoning my pajamas.
Later, when I open my eyes, there she is again,
rummaging in the same low drawer.
The clock shows eight. Hmmm.
With huge, silent effort of great,
mounded muscles the earth has been turning.
She takes a piece of silken cloth
from the drawer and stands up. Under the falls
of hair her face has become quiet and downcast,
as if she will be, all day among strangers,
looking down inside herself at our rapture.
Analysis and Interpretation of the Poem
This poem captures a quiet, intimate moment between two people in the early morning. The speaker describes the woman rising from bed at seven a.m., and through his eyes, we witness a blend of dreamlike imagination and reality. The poem is rich in sensory detail and emotional subtlety, exploring themes of love, desire, vulnerability, and the sacredness of private moments.
The speaker’s thoughts drift between fantasy and observation, imagining how the woman might reveal a hidden part of herself during breakfast—a metaphorical "hidden place" compared to a soprano’s tremolo, which suggests something delicate, beautiful, and vibrating with emotion. The poem then moves to a more tangible scene where the woman is bending over a drawer, selecting underwear. The description of her body is both physical and reverent, emphasizing the natural beauty and strength of her muscles and form.
The imagery of the "iron bars of the gate under the earth where those who could not love press" introduces a haunting contrast, hinting at the idea of rebirth and the power of love to transcend despair. The poem ends with the woman preparing to face the day, her face quiet and introspective, carrying the memory of their shared rapture inside herself.
Background and Author Introduction
This poem is written by a poet known for their intimate and evocative style, often exploring the complexities of human relationships and emotions. The poet’s work frequently blends sensory imagery with psychological insight, inviting readers to reflect on the hidden depths of everyday moments.
The poem likely originates from a period when the poet was deeply engaged in exploring themes of love, vulnerability, and the tension between public and private selves. It reflects a mature understanding of intimacy, not just as physical closeness but as a profound emotional and spiritual connection.
Reflections and Personal Response
Reading this poem invites a deep appreciation for the quiet beauty of ordinary moments shared between loved ones. It reminds us that love is often found in the small, almost unnoticed actions—like choosing underwear or sharing breakfast—and that these moments carry emotional weight and meaning.
The poem also encourages reflection on the complexity of human emotions: the mixture of desire, tenderness, shyness, and strength. The woman's downcast face, both in fantasy and reality, suggests a vulnerability that resonates with anyone who has experienced the delicate balance of revealing and concealing their true feelings.
Educational Value and Learning Points
Students and children can learn several valuable lessons from this poem:
- Imagery and Metaphor: The poem is a great example of how poets use vivid images and metaphors (e.g., "soprano’s tremolo," "iron bars of the gate") to convey complex emotions and ideas.
- Sensory Language: The detailed descriptions engage multiple senses, helping learners understand how to create immersive poetry or prose.
- Themes of Intimacy and Emotion: The poem offers a gentle introduction to exploring feelings and relationships in literature.
- Symbolism: The poem uses symbolic elements like the "gate under the earth" to deepen meaning, encouraging students to think beyond the literal.
- Narrative Perspective: The poem is told from a first-person point of view, showing how perspective shapes storytelling.
Practical Applications and Real-Life Inspiration
- Creative Writing: Students can practice writing their own poems or short stories that capture quiet moments or emotions.
- Emotional Intelligence: The poem can be used to discuss feelings of love, vulnerability, and empathy, helping students develop emotional awareness.
- Art and Performance: The vivid imagery can inspire visual art projects or dramatic readings that explore tone and mood.
- Language Learning: The poem’s rich vocabulary and figurative language are excellent for advanced learners to expand their English skills.
Reading Comprehension Questions
- At what time does the woman get out of bed according to the poem?
- How does the speaker describe the hidden place in the woman?
- What imagery is used to describe the woman’s body?
- What does the "iron bars of the gate under the earth" symbolize?
- How does the woman’s facial expression change throughout the poem?
- What emotions does the poem evoke about the relationship between the speaker and the woman?
- Why does the speaker say "Simile is useless" when describing the woman’s muscles?
- How does the poem blend fantasy and reality?
- What might the silken cloth represent in the context of the poem?
- What is the overall mood of the poem?
Answers to Reading Comprehension Questions
- She gets out of bed at seven a.m.
- The hidden place is described as being like a soprano’s tremolo, suggesting something delicate and emotionally vibrant.
- The woman’s body is described with imagery of muscles for walking, leaping, lovemaking, and her breasts and nipples are vividly depicted.
- The "iron bars of the gate under the earth" symbolize a place where those who could not love press, possibly representing despair or longing for rebirth.
- Her face is described as quiet and downcast, both when moved emotionally and when preparing to face the day.
- The poem evokes feelings of intimacy, tenderness, desire, and reverence.
- The speaker feels no simile can capture the uniqueness of her muscles, implying they are beyond comparison.
- The poem blends fantasy and reality by moving between the speaker’s imagined scenarios and the actual scene of the woman by the drawer.
- The silken cloth may represent delicacy, preparation, or a symbol of intimacy.
- The overall mood is quiet, intimate, reflective, and tender.
This poem offers rich material for literary study and personal reflection, making it a valuable resource for learners of all ages interested in poetry, human emotions, and the beauty of everyday moments.
















