原诗：
i
u worry me whoever u are
i know u didnt want me to
come here but here i am just
d same; hi-jacking yr stagecoach,
hauling in yr pocket watches & mak
ing u hoof it all d way to
town. black bard, a robber w/ an
art: i left some curses in d cash
box so ull know its me
listen man, i cant help it if
yr thing is over, kaput,
finis
no matter how u slice it dick
u are done. a dead duck all out
of quacks. d nagging hiccup dat
goes on & on w/out a simple glass
of water for relief
ii
uve been teaching shakespeare for
20 years only to find d joke
on u
d eavesdropping rascal who got it
in d shins because he didnt know
enough to keep his feet behind d cur
tains: a sad-sacked head served on a
platter in titus andronicus or falstaff
too fat to make a go of it
anymore
iii
its not my fault dat yr tradition
was knocked off wop style & left in
d alley w/ pricks in its mouth. i
read abt it in d papers but it was no
skin off my nose
wasnt me who opened d gates & allowed
d rustlers to slip thru unnoticed. u
ought to do something abt yr security or
mend yr fences partner
dont look at me if all dese niggers
are ripping it up like deadwood dick;
doing art d way its never been done. mak
ing wurlitzer sorry he made d piano dat
will drive mozart to d tennis
courts
making smith-corona feel like d red
faced university dat has just delivered china
some 50 e-leben h bomb experts
i didnt deliver d blow dat drove d
abstract expressionists to my ladies
linoleum where dey sleep beneath tons of
wax & dogshit & d muddy feet of children or
because some badassed blackpainter done sent
french impressionism to d walls of highrise
lobbies where dey belong is not my fault
martha graham will never do d jerk
shes a sweet ol soul but her hips
cant roll; as stiff as d greek
statues she loves so much
iv
dese are d reasons u did me nasty
j alfred prufrock, d trick u pull
d in d bookstore today; stand in d
corner no peaches for a week, u lemon
u must blame me because yr wife is
ugly. 86-d by a thousand discriminating
saunas. dats why u did dat sneaky thing
i wont tell d townsfolk because u hv
to live here and im just passing thru
v
u got one thing right tho. i did say
dat everytime i read william faulkner i
go to sleep.
fitzgerald wdnt hv known a gangster if one
had snatched zelda & made her a moll tho
she wd hv been grateful i bet
bonnie of clyde wrote d saga of suicide
sal just as d feds were closing in. it is
worth more than d collected works of ts
elliot a trembling anglican whose address
is now d hell dat thrilld him so
last word from down there he was open
ing a publishing co dat will bore d
devil back to paradise
vi
& by d way did u hear abt grammar?
cut to ribbons in a photo finish by
stevie wonder, a blindboy who dances
on a heel. he just came out of d slang
& broke it down before millions.
it was bloody murder
vii
to make a long poem shorter—3 things
moleheaded lame w/4 or 5 eyes
- yr world is riding off into d sunset
- d chips are down & nobody will chance yr i.o.u.s.
- d last wish was a fluke so now u hv to re
turn to being a fish
p.s. d enchantment has worn off
dats why u didnt like my reading list—right?
it didnt include anyone on it dat u cd in
vite to a cocktail party & shoot a lot of
bull—right?
so u want to take it out on my hide—right?
well i got news for u professor nothing—i
am my own brand while u must be d fantasy of
a japanese cartoonist
a strangekind of dinosaurmouse
i can see it all now. d leaves
are running low. its d eve
of extinction & dere are no holes to
accept yr behind. u wander abt yr
long neck probing a tree. u think
its a tree but its really a trap. a
cry of victory goes up in d kitchen of
d world. a pest is dead. a prehis
toric pest at dat. a really funnytime
prehistoric pest whom we will lug into
a museum to show everyone how really funny
u are
yr fate wd make a good
scenario but d plot is between u &
charles darwin.
as i said, im passing thru, just sing
ing my song. get along little doggie &
jazz like dat. word has it dat a big gold
shipment is coming to californy. i by to
ride all night if im to meet my pardners
dey want me to help score d ambush
诗歌的分析与解读
这首诗是一首大胆、原始且不拘一格的作品，挑战传统的文学和艺术规范。它以口语化的风格，重度使用俚语和拼音拼写，捕捉了一个反叛的声音，直面既定的文化权威和习俗。发言者将自己定位为一个颠覆性的“黑人吟游诗人”或“有艺术的强盗”，一个侵入传统舞台并动摇现状的人。
这首诗分为七个部分，每个部分都传达了批评、讽刺和个人宣言的混合。发言者嘲笑旧的文学和艺术传统——莎士比亚、福克纳、T.S.艾略特——以及维护这些传统的学术守门人。他们指责这些传统过时了（“你的事已经结束，完蛋了，结束了”），并批评文化机构的僵化和排他性。
诗中还有强烈的种族和文化评论的暗流。诗中提到非裔美国艺术家和文化人物，强调新的艺术和表达形式如何颠覆并重新定义艺术景观。发言者毫不道歉地拥抱这种转变，暗示旧守卫与现实脱节，无法适应。
语气既对抗又顽皮，幽默与严肃的批评交织在一起。诗中使用生动的意象和隐喻——例如“拉着你的怀表”，“让你一路走到城里”，以及“胜利的呐喊在世界的厨房中响起”——来说明文化世界的动荡与变化。
背景与作者介绍
这首诗反映了一个深度参与文化批评和转型的艺术家的声音。其风格表明受到非裔美国口语诗歌和垮掉的一代反叛精神的影响。作者可能来自一个挑战主流文学传统的背景，拥抱街头文化、爵士乐和先锋艺术的融合。
诗中提到莎士比亚、福克纳和T.S.艾略特，表明对西方文学经典的亲密了解，但发言者拒绝对这些人物的崇敬。相反，他们庆祝创新和打破旧模式，与哈莱姆文艺复兴、黑人艺术运动或当代口语诗歌等运动相一致。
反思与见解
阅读这首诗邀请人们反思艺术和文学中传统与创新的本质。它挑战读者考虑在文化空间中哪些声音被听到和重视，以及新的表达形式如何能够振兴或威胁既定规范。
诗中原始的语言和不拘一格的形式可能对某些读者来说较为困难，但强调了发言者信息的紧迫性和真实性。它还突显了语言作为社会和文化变革工具的力量。
教育价值与学习要点
学生和儿童可以从这首诗中学习到几个重要的教训：
- 文化批评：理解艺术如何质疑和挑战社会规范。
- 语言与声音：欣赏口语和非标准英语作为一种合法且强大的表达形式。
- 文学参考：接触莎士比亚、福克纳和艾略特等经典作家，以及当代艺术家如何回应他们。
- 历史背景：洞察非裔美国文化运动及其对艺术和文学的影响。
- 创造性表达：鼓励在自己的写作中尝试形式、风格和声音。
生活与学习中的实际应用
- 批判性思维：鼓励在学术和社会环境中质疑权威和传统。
- 文化意识：促进对多样艺术声音和历史的理解。
- 创意写作：激励学生在诗歌和散文中使用自己的声音和方言。
- 艺术创新：展示打破规则创造新艺术形式的价值。
阅读理解问题
- 发言者对传统文学人物如莎士比亚和福克纳的态度是什么？
- 这首诗如何使用语言来传达其反叛的语气？
- 文化身份在诗中扮演了什么角色？
- 为什么发言者将自己描述为“黑人吟游诗人”和“有艺术的强盗”？
- 诗中提到爵士乐、俚语和现代艺术运动的意义是什么？
- 这首诗如何挑战读者对语法和语言规则的看法？
- 这首诗传达了关于艺术和传统未来的什么信息？
答案要点
- 发言者对传统文学人物持批评和轻蔑的态度，暗示他们的相关性和影响力已经结束。
- 这首诗使用俚语、拼音拼写和非正式语言来创造一种原始、对抗和反叛的语气。
- 文化身份是核心；发言者拥抱非裔美国艺术创新，作为颠覆旧传统的力量。
- 发言者声称自己是一个外部艺术家，颠覆和挑战既定的文化秩序。
- 对爵士乐和现代艺术的提及象征着创新、即兴创作和打破传统。
- 这首诗嘲笑严格的语法规则，展示语言是流动和演变的，尤其是在文化表达中。
- 它暗示传统艺术形式正在消退，正被新的、动态的和多样的表达所取代。
